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Tag: Every Frame a Painting

  • Video Essay: See What Happens When Scorsese Goes All Quiet

    In our age of twenty-first century cinema, we’re awash with wondrous visual stories and their corresponding soundtracks (though this is no given! Check out our post on how music coming out of the Marvel Cinematic Universe is actually all kind same-same in the sound department).

    It is because of a ubiquitous big-ness of many soundtracks that I would suggest we actually take more notice when a director decides to do things differently. For example, putting in the necessary effort to deftly craft out a film’s sound design with an absence of musical underscoring.

    Cue this amazing little video essay by Every Frame A Painting on the work of Martin Scorsese. Yes, the man is known for his incredible use of music – however, this essay explores his use of silence throughout his 50-years of cinematic experience. So click away, and check out what happens when Scorsese goes all quiet.

  • Video Essay: How to Suck at Soundtracks… Otherwise Known as The Marvel Symphonic Universe

    Okay this one just has to be shared and re-shared amongst movie goers, videography aficionados, and anyone who has a passing interest in good soundtrack scores in any form of moving picture.

    For better or for worse, music shapes what we see on screen… cinema, TV, or otherwise. It is an integral element with which a viewer can be seduced into rapturous emotion of various sorts. I do not remember watching the film The Exorcist as a child (thank goodness my Dad had some sense in that regard). Nevertheless, to this day I cannot hear the opening 8 notes of Mike Oldfield’s Tubular Bells without having The Exorcist spring immediately to mind.

    Likewise, you will find it is true of many of our favourite films and TV series (Star Wars, Superman, Indiana Jones, The X-Files, and Saiyūki – otherwise known as Monkey in English – are some great examples).

    Now here’s a question to be asked: can you confidently hum a tune from any of the ubiquitous Marvel Cinematic Universe releases that have been released over the better part of the past 15 years? Nah, I didn’t think so. Well, it has not gone unnoticed by the team at Every Frame a Painting either – and their video essay on the topic is must see viewing. I hope you enjoy it.

  • Article/Video Essay: Beyond the Rule of Thirds/The Quadrant

    Whether you started out in photography, or you were dumped into the deep end of video and film – you will know of the rule of thirds (RoT). It’s one of those unstoppable forces that influence every aspect of both!

    Like many “rules” in avenues of artistic endeavour, the RoT is an excellent starting point – particularly if you haven’t yet developed an instinct for good visual composition. Once you know the why and how behind effectively utilising the RoT, however, you ought to expand your visual vocabulary – developing visuals that aren’t necessarily tied down to the RoT (I can’t help but think of Barbossa here: “the code is more what you’d call “guidelines” than actual rules.”).

    So if you are willing to wade out into the deeper waters of visual framing and composition, then this article by Doddle offers a great variety of framing illustrations that go beyond the rule of thirds: the golden spiral, quadrants, diagonals, the centre, as well as playing around with the edges and intentionally unbalancing the frame.

    If you happen to want a more in-depth video essay to help you shake your RoT shackles, then look no further than this great example by the Every Frame of Painting YouTube channel – it breaks down the quadrant system of framing that was used in the 2011 film Drive. Enjoy!